Governance
We operate under the strategic supervision and guidance of a Board composed of culture professionals elected among and by our full members. The current Board was elected during the 2024 and 2026 General Assemblies. Each Board member has a mandate of four years.
Next to the Board, we have an advisory group composed of cultural sector experts and ENCC members who provide support on content in different strategic areas (such as EU advocacy, cultural policy, sustainability, diversity and inclusion, digital ethics, territorial development through culture, and more).
Leen Vanderschueren
Chairperson
Leen is the coordinator of cult!, the network of cultural centres in Flanders and Brussels, formerly known as VVC. In the past, she has worked for the Flemish film fund (VAF), where she coordinated activities such as film festivals, cinemas, educational and youth initiatives, and trainings. She has a background in fashion design and history of art.
Vittorio Bianco
Chairperson
v.bianco[at]retecasedelquartiere.org
Vittorio is the co-coordinator of Cecchi Point – Casa del Quartiere Aurora multicultural hub in Turin. After starting his career in environmental organisations with a focus on urban ecology and sustainable development, he then moved to other aspects of sustainability in the urban context, such as social inclusion, culture and health.
Ivo Peeters
Honorary chairperson
One of the founders of the European Network of Cultural Centres, Ivo was formerly the director of cultural centre De Zeyp in Brussels. With 30+ years of experience working at the local and international level, he has been involved in conceiving and facilitating many European cooperation projects, with a special focus on arts and disabilities.
Lapo Bettarini
Tresurer
Lapo has a background and extensive academic experience in astronomy. Always divided between a strong scientific curiosity and an active social and cultural commitment, after having managed two non-profit associations in Belgium for several years, between 2017and 2025 he has directed La Concertation asbl - Action Culturelle Bruxelloise, the Brussels regional network of cultural centres.
Piotr Michałowski
Board member
Piotr is a jazz musician, a European projects consultant, and an independent expert for the Cultural Routes of the Council of Europe programme, among other roles. At ENCC, he coordinates the working group on cultural centres and non-urban areas.
Daniel Azzopardi
Board member
daniel-p.azzopardi[at]artscouncil.mt
Daniel is director of strategy at Arts Council Malta. Prior to this role, he served as artistic director of Spazju Kreattiv. He has extensive experience in cultural policy, artistic programming, project management, and creative entrepreneurship. He is also a visiting lecturer at leading educational institutions in Malta, and an award-winning actor and director.
Heather O'Donnell
Board member
info[at]thegreenroomforartists.de
Heather is a psychologist, a meditation teacher, an Artistic Systems Therapist in training, and a former concert pianist. She is the founding director of TGR The Green Room, a centre based in Cologne, Germany, that offers essential support systems for performing artists.
Aleksi Valta
Board member
aleksi.valta[at]lastenkulttuuri.fi
Aleksi is the executive director of Suomen Lastenkulttuurikeskusten Liitto Ry, the Association of Finnish Children's Cultural Centres. He has more than 20 years of experience in national sports and cultural organisations, and is part of several national committees and expert groups in the field of children's culture. Aleksi sees himself as the voice of children in the ENCC Board.
Théo Majcher
Board member
Théo is a cultural project strategist working across Europe at the intersection of media, policy, and artistic collaboration. Among his main roles, he is co-founder and artistic director of projects at ALTER EGO (X), a civic organisation fostering intercultural dialogue through artistic creation and international cooperation.
Jure Matičič
With a background in journalism, contemporary art, theatre, and music, Jure has been a cultural "super-user" for as long as he can remember. He runs Kulturni dom Franca Bernika Domžale, a lively cultural centre in Slovenia, and is active in national networks of cultural centres and art cinemas, advocating for better systemic and financial support for cultural institutions.
Piet Forger
Adjunct expert
Since 2015, Piet is the head of the department for cultural affairs at the city of Leuven, Belgium. He is the initiator and vice president of Vitamine C, a network of people working in the Flemish cultural field who promote access to arts and culture for young people. Piet has been connected to the ENCC since 1996 and has participated in many of its activities.
Kay Sentance
Kay Sentance is a socially engaged artist based in Oxford, UK. She facilitates intersocial events in non-art spaces. She has also worked in/with arts institutions (Modern Art Oxford), artist-led Organisations (Ovada), and Oxford University. Kay has been a ENCC member since 2016. Being based in the UK, she sees the ENCC as a vital link, a life-line, to what is happening on the continent.
Dagna Gmitrowicz
Dagna Gmitrowicz is a senior trainer in the field of non formal education. She is a member of the International Society for Self-Directed Learning and the founder of the ARTE EGO foundation. She contributes expertise on learning, inclusion and creativity. Dagna is a supporter of the ENCC’s BECC programme.
Raluca Iacob
Raluca Iacob is a cultural manager and a public policy specialist. She is the president of the MetruCub Association, in Bucharest, Romania. Raluca engages with the ENCC on the topic of local networks as a new form of the organisation of work in the cultural world; she is the author of our publications Local Networks (a guide to) Reimagining the Work of Organisations and Looking Back, Looking Forwards: Local Networks Support the Transition Towards a New Public Culture.
The following statutes have been approved by our General Assembly on June 22nd, 2021.
TITLE I - Name, registered office, purpose, duration
Article 1: Juridical form
The association was founded as an international non-profit association, for artistic and educational purposes, with adaptation of the statutes to the law implementing the Companies and Associations Code of April 4, 2019.
Article 2: Name
The association carries the name "European Network of Cultural Centres" abbreviated to 'ENCC'.
Article 3: Registered office
The association's registered seat is in the Brussels-Capital Region, Ravensteingalerij 28. The seat may be moved to any other place in Belgium by decision of the board of directors, if this change is published in the Annexes of the Belgian State Gazette.
Article 4: Mission and objectives
Mission
ENCC, as a transdisciplinary and pluralistic network, aims to connect and strengthen the potential of socio-cultural centres and other cultural and artistic participatory practices organised at multiple levels, while advocating for the value of their work in Europe and beyond, to contribute to revitalising European democracy, civil society, inclusion and intercultural dynamics.
Vision and Beliefs
We envision an emancipatory, solidary and sustainable society, which derives from culture, creativity and the arts.
We believe that active participation in arts and culture on an individual level brings personal development but also societal cohesion.
We believe in the importance of ensuring fairness, justice, equality and inclusion in the practice of arts and culture.
We believe in the decisive role of socio-culture as a basis for building an open, connected and inclusive world and in its potential to envision responses for our common challenges.
Key objectives
Strengthen existing networks by offering a platform to be connected, and support all efforts to develop new networks of cultural centres in Europe on urban, regional and national level, fostering cooperation and innovative practices.
Provide support and empowerment to cultural centres through capacity building, professionalisation and peer learning, with a focus on specific societal challenges and as a priority - the reintegration of the European dimension and values.
Advocate the values and benefits of socially engaged arts and culture on a European & beyond level and give visibility to the work done at local, regional and national level, while creating meaningful partnership with other relevant actors.
Stimulate and increase opportunities for cooperation between different sectors and actors in order to foster sustainable systemic changes and mainstream culture into their work; build strategic partnerships with European networks operating in key sectors like Environment, Health, Social inclusion, Education
foster a holistic approach to society, connecting culture and social engagement and fulfilling the potential of culture in tackling important challenges that European society is facing: environmental sustainability and fight against climate change; health in an ageing society; social inclusion; economic inequality.
Article 5: Duration
The association is established for an indefinite duration.
TITLE II - Members
Article 6: Members
The number of effective members is unlimited, but must be at least two.
The association is composed of effective members and associate members.
Effective members are:
National and regional networks of cultural centres
Urban and rural/local networks of cultural centres
Individual Cultural centres
Associate members are:
Socio-cultural organisations
Inclusive arts organisations
Individuals
The administrative body keeps a register of the members at the registered office of the association. This register mentions the last name, first name and place of residence of the members or, in the case of a legal person, the name, legal form and address of the registered office and the last name and first name of the permanent representative.
All members can consult the register of members at the registered office of the association.
To this end, they address a written request to the administrative body with which they agree on a date and time for consultation of the register.
Article 7: Criteria to join
Candidates for effective membership must submit a written application to the board. The application is accepted when approved by a majority of the board. If an application for membership is rejected by the board, the board must formulate a written justification. The effective members represent a legal entity and support clearly in their membership application the mission and the key objectives of the ENCC as they are written in Art. 4. Each member must have one permanent representative. The member has to inform the office when this representative is replaced.
Associate members have to apply to the board. The application is accepted when approved by a majority of the board.
Article 8: Duration
Membership of the association lasts as long as the member fulfills the criteria of membership as mentioned in Art. 6 and pays the membership fee as mentioned in article 10.
Article 9: Acceptance of statutes and domestic regulations
Each member accepts the statutes and the internal regulations by its membership.
Article 10: Membership fee
The directors-board proposes to the general assembly the annual contribution of the members. The annual contribution can vary by group of members.
Article 11: Resignation
Each member can resign at all times, provided that this resignation is announced to the chairman of the board of directors by means of a written notification.
The resignation will follow one month after receiving the written request.
When the written notification of the resignation arrives after the 1st of the July, the member still is committed to pay the membership fee of the running year and to pay the costs approved in the year of the resignation.
Article 12: Membership ending
When a member acts contrary to the goals of the ENCC, its membership can, at the suggestion of the board of directors or at the request of at least 1/5 of effective members, be ended by special decree of the general assembly, whereby the decision requires a 2/3 majority of the attendant or represented members at the assembly. The member, whose membership ending is suggested, has the right to be heard by the General Assembly.
Article 13: Claim to funds or restitution
Persons, who have, for whatsoever reason, lost their capacity as representatives of the member organisation, nor their legal successors, nor the institution that delegated them, can claim the association's funds or any restitution of or compensation for any amounts paid or any financial contributions that have been made.
This exclusion from rights applies at all times: during membership, when the membership is ended for whatsoever reason, when the non-profit-making organisation is dissolved, etc.
TITLE III - General Assembly
Article 14: Authorities
The general assembly is the association's sovereign authority.
The general assembly has the power to do the following:
The amendment of the statutes
The appointment and dismissal of directors
The approval of the budget and the accounts
Discharge to the directors in a separate vote
The decision of the membership fee
The exclusion of members
The voluntary dissolution of the association
To do or to accept the input-for-nothing-from-a-generality
The filing of a legal action by the association against the directors and commissioners.
And all cases in which the law or these articles of association require.
Article 15: Composition
The general assembly is composed of all the effective members. Associated members have the right to attend and to speak. The general assembly is presided by the chairperson of the board of directors or by the eldest of the attendant administrators.
Each member can give authority to another member to represent him at the general assembly.
Article 16: Voting right
Only the effective members have the right to vote.
Each effective member has one vote and can represent one other member.
Article 17: Number of meetings
The general assembly shall be convened at least once a year by the board of directors to approve the accounts of the previous year and the budget for the current year. This general meeting must take place within six months after the close of the last financial year.
Article 18: Invitation, agenda and notification
The directors-board convenes the general meeting in the cases provided for by law or when at least one fifth of the effective members so request.
In the latter case, the invitation must be sent within 21 days after this request and the general meeting will be held no later than the 40th day after this request.
The convening is done by ordinary letter or by email, signed in the name of the directors-board, by the chairperson and the secretary or by two administrators, and sent to every voting member, at least one month before the assembly.
The letter mentions the preliminary agenda. Requests to the agenda and candidates for the board have to be sent latest two weeks before the general assembly by letter or by mail to the office and/or the chairman/chairwomen.
The adapted agenda has to be sent to the members at least 5 days before the assembly.
Matters or candidates that do not occur on the final agenda cannot validly be voted upon, unless all members present or represented agree to do so.
Minutes are drawn up from every assembly, are signed by the chairman/chairwoman, and the secretary or one of the administrators and are entered in a special register.
The minutes are send to all members within 4 weeks after the general assembly, in accordance with the modalities stipulated in article 9 of the Royal Decree of June 27th, 2003.
The general assembly can be convened for a meeting, by electronic means of communication.
Article 19: Voting
Decisions are made by a simple majority of vote of the voting members present and lawfully represented, as long as law or these statutes do not provide for a special majority.
The simple majority is calculated after the exclusion of absentees, invalid votes and abstentions.
If a voting on persons or functions takes place, or at the request of at least one third of the attendant representatives, the voting will be held in secret.
In case of a tie, the vote of the chairman is decisive, except in a secret voting.
In a secret voting on accepting or rejecting an item, the item will be rejected in case of a tie.
In a secret voting on persons, a new voting round will take place for the candidates with the equal amount of votes. When this new voting round does not come up with a decisive result, the youngest candidate will be chosen.
Article 20: Special majorities
A decision to amend the articles of association, to exclude a member, or to dissolve the association (see article 14), must be attended or represented by at least two thirds of the members. Failing this, a second call will be made. The new meeting can decide regardless of the number of members present. Even then, a member can only be excluded by a majority of at least two-thirds of the members present and represented.
Article 21: Amendments on the statutes or dissolution of the association
On all decisions concerning amendments on the statutes or dissolution of the association, the general assembly can only lawfully deliberate when the following conditions are fulfilled:
the proposed amendments on the statutes or the dissolution of the association should be explicitly mentioned on the agenda of the meeting in which those issues will be deliberated.
two thirds of the association's voting members have to be present or represented.
If in these cases the general assembly does not reach the quorum of two thirds of the members, a second general assembly will be convened, under the same stipulations as the first one. This second meeting will be authorised to take final and valid decisions, regardless of the number of members present or represented.
This meeting can only take part with at least 15 days between the second and the first meeting.The proposals to amend the statutes or to dissolve the association, must be accepted by at least two thirds of the attendant or the represented voting members. The proposals only demand a majority of 4/5 of the votes of the attendant or represented members, when the amendment is related to the goals and aims of the association for which the association was created.
In this vote, abstentions are not counted in either the numerator or the denominator.
TITLE IV - Directors-board
Article 22: Composition
The association is governed by a directors-board, which consists of representatives of maximum 9 effective members representing at least five European countries. There can be no more than 2 members of the board from the same European Country unless the general meeting makes an exception to this with a four-fifths majority. At least one of the members has to be of Belgian nationality.
If a director's position becomes vacant before the end of his mandate, the remaining directors have the right to co-opt a new director.
Article 23: Duration
The Chairperson of the board is elected by the general assembly for a period of 4 years and can only be re-elected once for a total period of 8 years. Election for the board is taking place at the general assembly every second year.
At each election 4 board members are elected for a period of 4 years.
The elected chairperson and board members are at all times dismissible by the general assembly with a majority of two thirds of the votes present or represented.
Article 24: Functions
The board of directors chooses among its members a secretary and a treasurer.
Article 25: Number of meetings
The directors-board meets at least twice a year. The board can only confer validly if at least half of its members are present or represented.
Each board member can give authority to another board member to represent him or her at the directors-board. Each administrator has one vote and can represent one other administrator.
Decisions of the directors-board can be taken on the basis of a simple majority vote of board members present and represented. In case of a suspension of the votes the chairman's vote is decisive.
The board can be convened for a meeting, can deliberate and can decide, by electronic means of communication. The board can take decisions writtenly by unanimous consent expressed by all the members of the board, for all topics but the ones for which these
statutes exclude the possibility.
The conclusions are recorded in the minutes, which are signed by the secretary or a member. The minutes are kept at the association's office in a register.
Article 26: Internal administration
The directors-board is authorised to perform all actions necessary or useful to realising the purpose of the non-profit-making organisation, except those actions for which the general assembly has the exclusive authority according to article 4 of the law of January 16th, 2003, and the actions summed up in article 14.
Article 27: External mission of representation
The directors-board represents the non-profit-making organisation as a board, in all actions in and out of court.
It represents the association by majority of its members. Without prejudice to the general authority of representation of the directors-board as a
board, two administrators that act collectively will also represent the non-profitmaking organisation, in and out of court.
The deeds that are endorsed by the association will be considered valid when the chairman or the secretary or the treasurer signs them, unless they are about exceptional transactions that exceed the sum of € 5000. Such cases require the autograph of the treasurer together with the autographs of the chairman or the secretary.
Article 28: Responsibility of board members
The board members and the executive administrators are not personally committed by the obligations of the non-profit-making organisation.
Their responsibility towards the non-profit-making organisation or third parties is limited to the fulfilling of their given assignment, according to the common law and according to what is stipulated in the law and in the statutes.
Article 29: Experts
The board of directors is allowed to invite individuals because of their expert contribution to the association.
These individuals however do not have a right to vote.
Article 30: Staff and secretariat
The directors' board appoints and dismisses the general coordinator-director.
The Managing Director-General and the Chairman appoint or dismiss the other members of staff.
They determine their duties and their salary. Employees cannot be members of the association.
TITLE V - Various stipulations
Article 31: Domestic regulations
The directors' board promulgates any domestic regulations it deems necessary.
Article 32: Financial year
The financial year runs from September 1st till August 31st.
Article 33: Dissolution and settlement
The general assembly will be convened to discuss the proposals regarding dissolution presented by the board of directors or by at least 1/5 of all members. The assembly will be convened and the proposal will be entered on the agenda according to what is stipulated in article 21 of these statutes.
Once the decision to dissolve is made, the non-profit-making organisation will always mention that it is "an international non-profit-making association in settlement", according to article 23 of the law of January 16th, 2003. When the proposal to dissolve is approved, the general assembly will appoint a liquidator whose assignment they will describe.
In case of dissolution and settlement, the extraordinary general assembly will decide on the destination of the funds of the non-profit-making organisation. Those funds must be assigned to a non-profit-making organisation whose goals are, for as much as possible, the same as the ones of the association.
All decisions regarding the dissolution, the settlement conditions, the appointment and the termination of office of the liquidators, the closing of the settlement and the destination of the assets, will be filed at the registry and publicised in the Annexes of the Belgian State Gazette, according to what is stipulated in article 23 and 26novies of the law of January 16th, 2003 and the related implementing orders.
Mission
The ENCC, as a transdisciplinary and pluralistic socially engaged cultural network, aims to connect and strengthen the potential of socio-cultural centres and other cultural and artistic participatory practices organised at multiple levels, while advocating for the value of their work in Europe and beyond, to contribute to revitalising European democracy, civil society, inclusion and intercultural dynamics and ecological sustainability.
Vision and beliefs
We envision an emancipatory, solidary and sustainable society, which derives from culture, creativity and the arts.
We believe that active participation in arts and culture fosters both individual personal development and colelctive social cohesion.
We believe in the importance of ensuring fairness, justice, equity and inclusion in the practice of arts and culture.
We believe in the decisive role of socio-culture as a basis for building an open, connected and intersectional world, and in its potential to envision responses for our common challenges.
Values and frame of reference
Apart from the mission and the vision, the ENCC is guided in all its activities by its core values:
Accessibility - creating conditions for inclusive and readily available opportunities for participation in culture, regardless of age, origin, race, ethnicity, gender and sexual orientation, with a special focus on arts and disability, in line with the Fribourg Declaration on Cultural Rights (article 5)
Cooperation – valuing collaboration across sectors and borders to promote participative culture, mutual learning and collaborative initiatives.
Cultural democracy - recognising the right of all people to actively participate in and shape the cultural life of their communities, in line with Porto Santo Charter (2021).
Cultural equity, in line with the Fribourg Declaration on Cultural Rights (article 3 and 4), promoting equal access to cultural rights for all.
Democracy – Supporting public-based, context-specific initiatives that are informed by intelligence obtained through diverse grassroots consultations. We commit to democratic internal governance and horizontal participation, enabling members to contribute to the network’s development. We also work to foster participatory democracy in society, supporting civil society actors and grassroots engagement.
Diversity – the celebration of diversity within and amongst cultural centres and in the wider socio-cultural sector by putting in place policies and practices that challenge all forms of discrimination and stereotypes and strengthen representation, access, and visibility for underrepresented communities, voices, and territories.
Empowerment - providing our members and other cultural actors with platforms and tools to grow within their respective fields of practice and expertise, and to increase their impact within society.
Participation – the creation of culture as a common good, built collectively in Europe and throughout the world, grounded in social engagement.
Solidarity - fostering mutual support, cooperation, and shared responsibility among cultural actors and communities, locally and globally.
Sustainability - in line with the UN’s SDGs, working for a sustainable and regenerative future on the multiple dimensions of sustainability (environmental, social, economical), while taking into account other related aspects such as ethical digitalisation.
Referring documents at this regard are: the Fribourg declaration, the Roma Charter, the Porto Santo Charter, the UN sustainable development goals, Universal Declaration of Human Rights, UNESCO Universal Declaration on Cultural Diversity, EU Culture Compass
Strategic framework: our approach to change
The ENCC Strategic Plan 2026–2030 is grounded in four core concepts that respond to the realities of today's world and guide the network’s strategic direction. These concepts aim to address the shifting social, political, and environmental landscapes across Europe and beyond.
a. Recognising complexity and systemic interdependence
We are living through an era of interconnected crises: climate change, rising inequality, democratic backsliding, and polarisation. These are not isolated problems but parts of deeply entangled systems. Responding effectively means acknowledging the scale and complexity of today’s challenges - and fostering a culture of systemic thinking, trans-disciplinary collaboration, and long-term vision across all levels of society.
b. Connecting the European and local dimensions
To shape meaningful, systemic change, we must bridge the gap between European-level ambitions and local realities, especially in peripheral or underserved regions. Local socio-cultural actors possess invaluable knowledge and practices. Creating opportunities for exchange, visibility, and cooperation across borders allows these actors to contribute to, and shape, broader European narratives - making the EU more inclusive, cohesive, and representative.
c. Reclaiming socio-culture as a transformative, value-driven, and unifying force
In a time of shrinking civic space, social fragmentation, and democratic fatigue, socio-culture plays a vital role. It nurtures imagination, fosters dialogue, and builds community resilience, while also defending the democratic principles that make such work possible. Socio-cultural centres act as catalysts for change by providing spaces where diverse voices can express themselves freely and independently, allowing for multifaceted approaches to collective peace, dignity and justice. Socio-cultural centresenable communities to co-create better-rounded futures. Their work addresses not just symptoms, but the root causes of inequality, disconnection and systemic dysfunctionality.
d. Advancing active cultural participation and engagement
Participation in arts and culture is fundamental to individual and collective well-being. It empowers people to express themselves, build connections, and engage in democratic life. In an increasingly digital, precarious, and individualised society, cultural participation offers a means of re-humanising public space, reinforcing social ties, and enabling people of all backgrounds to co-create their environment and sense of belonging.
2026-2030 strategic and operational objectives
The ENCC has a significant potential: as a transdisciplinary network in the cultural and socio-cultural sector, deeply anchored within European societies, grassroots institutes and local territories, it reaches a large variety of local audiences and territories that are often underrepresented within European disciplinary cultural and artistic spaces and networks.
To unlock its potential and that of its members, the ENCC’s strategy for 2026–2030 focuses on three main objectives:
S.O.1: Bridging, networking, and cooperation
Strengthen existing socio-cultural networks by offering inputs and a platform to be connected, and support all efforts to develop new networks of cultural centres in Europe at local, national and regional levels, fostering cooperation and innovative practices.
Why it matters: in today’s complex social landscape, it is not fragmentation or polarization per se that cause the greatest harm, but rather the breakdown in communication, mutual understanding, and empathy between different communities. This often leads to radicalization and narrow-mindedness, frequently rooted in social and cultural isolation. Strengthening networks of solidarity and cooperation among socio-cultural centres - whether urban, rural, regional, national, or transnational- fosters dialogue, bridges divides, enhances adaptability, and creates space for underrepresented voices to contribute to and shape Europe’s cultural and civic life. By connecting cultural actors, we also support democratic renewal and promote cultural equity across regions.
Related UN sustainable development goals: 11, 16, 17
Related operational objectives
1.a) support emerging cultural networks at all levels (local, national, regional, etc.) and stimulate their creation
1.b) Connect existing cultural centres and foster exchange and cooperation between our members and beyond, including with realities located outside of Europe
1.c) Explore and support models of cooperation and territorial cohesion, activate community life. Foster new dialogues and reflections on the relationships between ‘rural’ and ‘urban’ areas, with culture placed at the heart of regional planning and development.
1.d) Create opportunities for connection and cooperation between different sectors and actors in order to foster sustainable systemic change and mainstream culture into their work; build strategic partnerships with European networks operating in key sectors like Environment, Health, Social inclusion or Education, so as to enable cross-cutting initiatives and overcome the silo mentality which often hinders policy making and organisations.
S.O.2: Capacity building and empowerment
Provide support and empowerment to socio-cultural centres and their network through representation, capacity building, professionalisation, and peer learning, with a focus on specific societal challenges.
(Why it matters: to remain relevant and fulfil their roles within nowadays societies, socio-cultural actors must be equipped to adapt, grow, and lead in face of social challenges, such as inequality, exclusion, shrinking democratic spaces and climate crisis. Strengthening the skills, structures, and relations of socio-cultural centres ensures that they are empowered agents of change, not just service providers.)
Related UN sustainable development goals: 4, 5, 16, 11
Related operational objectives
2.a) Support the professionalisation and the organisational capacities of socio-cultural centres and their staff;
2.b) Develop and promote participatory socio-cultural practices that enable cultural centres to actively respond to societal challenges through community engagement, co-creation, and social innovation
2.c) Activate the whole network on critical cross-cutting issues through annual or multiannual thematic focuses, including diversity and inclusion, accessibility (including arts and disability), social and climate justice, ethical digitalisation, democracy, and territorial development and sustainability.
2.d) Enhance the role of community participation in local governance and participative leadership on all levels (neighbourhoods, provinces, countries, regions, etc.) .
2.e) Foster the development of intercultural and transcultural competencies and support the creation and implementation of inclusive policy frameworks.
S.O.3: Advocacy for socio-culture
Advocate the values and benefits of socially engaged arts and culture at a European level and beyond. Give visibility to the work carried out by members at local, regional and national level, while establishing meaningful partnerships with other relevant stakeholders.
(Why it matters: despite its strategical impact, socio-culture still remains undervalued in policy and funding frameworks. To ensure long-term sustainability and recognition, we have to give voice to the work of local actors, demonstrate the public value of cultural participation, and embed cultural rights and social engagement into policy frameworks at all levels).
Related sustainable development goals: 4, 5, 16, 17
Related operational objectives
3.a) Increase the visibility and recognition of the needs, impact and potentials of socially engaged arts and culture within communities and across Europe.
3.b) Amplify the collective impact of socio-cultural action through strategic alliances with European and international networks, strengthening shared advocacy, scaling initiatives, and increasing influence across policy, funding, and public discourse.
3.c) foster a holistic approach connecting culture and social engagement by developing research activities, pilot projects, policy documents and cross-sector cooperations that address key social challenges in Europe and beyond
3.d) Engage in cultural policy development to embed socially engaged arts and culture within local, national, and European policy frameworks, ensuring supportive and sustainable policy environments.
ANNEX 1 - What is socio-culture?
Socio-culture refers to a practice and approach at the intersection of cultural and social life, grounded in community participation, artistic engagement, and civic responsibility. It centres on creating open, participatory spaces where people are empowered to act, co-create, and contribute meaningfully to social change. At its core, socio-culture promotes the right of every person to access, participate in, and shape cultural life, regardless of background, ability, or location.
Key characteristics of socio-culture:
Providing everyone with access to creativity and artistic expression in various genres.
Connecting professionals and non-professionals, and offering learning experiences between them.
Encouraging participants to develop their cultural and social potential to shape their environment sustainably.
Offering tools, methods and experience to support diverse forms of civic engagement.
Making spaces, equipment and networks available for cultural activity.
Bringing together partners from different sectors and initiating further collaboration.
Nurturing mutual understanding and making the cultural diversity of society tangible.
Engaging the community through participation in the design of programs and projects.
Working with culture and cultural education towards inclusion, for democracy and an open society
Focusing not only on the final results but also on the whole process and on its impact.
Who are socio-cultural centres?
Socio-cultural centres are community-based institutions deeply embedded in local contexts. They offer context-specific, case-by-case platforms for cultural, artistic, educational, and social initiatives that reflect and respond to the particular needs of their communities. This localized approach promotes authentic participation and resists generic, one-size-fits-all interventions.
They are not merely venues or event spaces, but dynamic, evolving ecosystems that:
Strengthen local identity and social cohesion
Promote lifelong learning and intercultural exchange
Empower individuals to become Citizens who are Responsible, Active, Critical, and Supportive
Serve as hubs of civic innovation, addressing issues such as social inequality, migration, sustainability, and democratic participation
Core features of socio-cultural centres:
Community-Rooted: Governed by or in close dialogue with local communities; responsive to territorial dynamics
Inclusive and Open: Welcoming to all, counteracting exclusion and marginalisation
Diversity-Oriented: Actively reflect and celebrate cultural, social, and demographic diversity
Participatory and Democratic: Encourage shared decision-making and participatory governance
Flexible and Innovative: Evolve with changing social realities and needs
Bridge-Building: Link local actions to broader societal and global frameworks
Equality
For many years we have been working on diversity and inclusion, with a specific focus on arts and disability. Yet, despite recent progress and inspirational practices, diversity in cultural organisations is still lacking. That is why we decided to set out a collection of aims in practicing equality and celebrating diversity in our workplaces and cultural spaces. This commitment was drafted in the context of our Inspired by Diversity project, in consultation with equality expert Zita Holbourne. Read it here and spread the word.
Sustainability
We have extensively engaged with the topic of sustainability over the years. Environmental issues are a key theme in our strategic plan, impacting both our external activities and our internal policies. We believe socio-cultural centres have a crucial role to play in shaping a new discourse and crafting possible scenarios for a more just, equitable and regenerative future. However, they do require support from networks and institutions. In 2024, we published a position paper that details our strategic focus areas with respect to environmental sustainability and sets out recommendations for policy makers. We also formulated our own sustainable travel policy, which we invite attendants to our events to read and follow. Moreover, we have created a self-assessment tool for organisations willing to form a detailed idea of their environmental impact across sectors of activity.